So much fun, making colorful fruits and veggies! This is for the TDAC Eat the Rainbow design challenge. The only hard part was deciding which of my favorites to illustrate. I love them all!
I used simple shapes to create the eats. With a little help from gradients and shadows to add dimension. Click to view more details. My plan was to paint the images. Life got in the way, the deadline got closer and I decided to go digital. I surprised myself at how quickly I put this together. Whew!
There are just over 200 entrants, four will be showcased in a featured collection on TDAC for two weeks. The whole idea is to get designers seen by art directors and creative professionals. Well, I don’t have to be one of the four to do that! This is the first in a series of challenges. I am looking forward to taking part in each of them.
Your invitation has arrived!
The Art On 45 show is on now! All works on view for two weeks. The auction takes place March 16th. If you find yourself in Ruston Louisiana, stop by and take a look! It’s been so much fun taking part and following Christiane’s progress with the event! Thank you Christiane for inviting me to participate!
Painted seven tonight. Three are OK. Two are hideous. (Not shown here) I am cringing just thinking about clicking the post button. But the work is done. Hours put in towards my 10,000. I did have fun. I am really enjoying my new palette! YAY!
Part of the “getting things on the walls” project was this huge canvas. It has had a few lives. The last was partly covered up with ugly, muddy, leftover colors. Finally, I covered the yuck. Didn’t think I had enough Naples yellow so I added some white.
I still don’t know what I want to do with this canvas. And I have been thinking on it for three years, at least. A floral? A Mingus? An abstract landscape? Have to say, I really like it this way. Ha!
Don’t eat yellow snow.
Family from out-of-town this weekend. Might not post again until next week. Have fun!
From early this month, a storm on the way. Thought I had posted it. Thought I had posted period. It’s been turbulent indoors as well. Computer issues. Photoshop. Ughh!
“Could not transform because the scratch disks are full.”
“Low Disk Space. You are running on very low disk space…”
Turns out, I had almost NO disk space. Took a full week to figure things out. Save files, and regain the use of Photoshop. That sent me down the rabbit hole, cleaning files and deleting. I still need to buy a portable hard drive and I am researching those. Suggestions are welcome! I am planning to replace my system in October. Fingers crossed. Now if I can just get through September. Fingers and toes crossed, and prayers said!
Mingus Tower, 8-3-18.
Still enjoying the monsoon season. Which I think is nearing the end. Rain is forecast the next five days. That could mean a downpour, or a few minutes of sprinkles.
I am thinking of closing my Zazzle shop. I am very disappointed in the quality of their fabric printing. I have seen different products, purchased by friends and family. And the quality on those items is great. So maybe, I just won’t offer fabrics for sale on that site.
A few months ago I ordered fabric samples from Zazzle. I compared those with swatches from Spoonflower. There is no contest. Both sets are on the basic fabric offered. For Spoonflower that is “Basic Cotton Ultra” and for Zazzle, “Custom Combed Cotton”.
Swatches on Spoonflower are 8 x 8 inches for $5.00. Zazzle 9 x 9 inches for $5.60. It might be hard to see on-screen, but there is a huge difference in the quality and feel of the fabrics.
Comparing Spoonflower and Zazzle custom printed fabric. Designs by Sheila Delgado.
It’s been a few months, but I am certain that I ironed the samples. They have sat on my desk, folded. You can see the wrinkled Zazzle swatches. That fabric is stiff, and makes a crinkly sound when you move it. I wouldn’t want to wear it. Makes me think of the crinoline skirts my Mom remembers.
The Spoonflower swatches are soft and pliable. You can also see the difference in printed details. On the sailboats, a large-scale print, the quality is nearly the same. But on the feathers, you can see that the fine detail is lost. The Zazzle feathers is even printed in a larger scale, and still, the fine detail is blurred.
I have missed painting. And the shadows on Mingus make me want to paint even more. Hard to believe we are already at the end of the month, and I have yet to put brush to paper. There are a few more projects that need attention, so that in September I can be free to paint daily.
I have dealt with a Lupus flare this month as well. Just bone tired. I had an Esophageal manometry on the first, and it seems I have been in recovery mode ever since. It was a very quick and simple procedure. It required fasting, and it was an afternoon appointment in Phoenix. So I think the mix of not eating, not taking my meds and a long drive (3 hours there and back) just zapped my energy.
Luckily, I was able to do the test quickly. My cough did not interfere. It seemed I was in and out in less than 20 minutes. I even arrived early, and within five minutes I was taken back to start the test. WOW!
Pushing through. Napping when I can. Crossing tasks off my list. Just at a slower pace than I would like. Hope all is well in your neck of the woods!
I considered adding a touch of indigo to this. Instead I drew tiny turquoise circles. Acrylic, Caran d’Ache, texture sheet, collage, some finger painting. Used a palette knife for the first layers. Random marks.
Feeling like this might be a work in progress. The collage shape is nudging at me. I may add more Flesh tone to balance or conceal. Loving the pinkish, peachy flesh color, “Natural Buff”. But it does not scan as well as it looks in person. It is warm, and not too feminine. Or maybe it is. What do you think?
Recent Mingus sunset. Hope you can see the warm hue that blanketed the hills. Subtle, but caught my eye. The next view is of shapes usually unseen. This section is to the right in the photo above. Most often it is a long stretch of blue or green, one solid “piece”. I love how the shadows brought out the shapes. I see a painting there.
Started with a little spackle…
Ended up tearing down walls and laying a new foundation. Prior to last month’s design frenzy, my Spoonflower patterns were at about 85 total. I now have 128, and about 40 more to add. I knew when I started, that this re-design, clean up project would take longer than a week. Still, that was my goal. Could have been done days ago, if I didn’t add new to-do’s to my list as soon as I cross items off.
The project will be complete today. I am on the last two design redo’s. Wooo – Whoo! I will share those with you soon.
Your comments on my last post made me aware of my terrible explaining skills. So here is an explanation of one part of making a repeating pattern. Hiding your seams. The edges of your design.
One task was to create more complete collections. Some are just the same design in different colorways, others have a main pattern with coördinates. Both of the samples below are part of the Farmers Market collection.
I took the lemon from Bountiful, and made a quick toss pattern. There are only nine lemons in the design. Below you can see two sets of lemons. (For this design, I only used one painted lemon, very simple.) I place one element on the edge of the design. Make a copy, and with the help of Photoshops design guides, line them up to match top to bottom, and side to side.
Start of a repeating pattern.
Sometimes you can “cut” the element in directly half, and then matching them on the edge is quick and painless. Often that does not work with the overall pattern, (and you can’t have all the elements line upon a seam). The guides are a frame around the object. The edges are clearly marked, and the center is marked as well. And when you have copies of the same element centered, highlighted lines appear to let you know you have a perfect match. You get top and bottom, and center lines in bright pink.
Elements are centered.
When I am trying to match up two uneven halves, I look for a mark I can use to measure. A leaf, a spot. On the left and right lemons above, I used the end of a line detail. Got lucky on the first try, without even having to zoom in. What makes it so precarious, is that you will see the matching point on one half only. On the other half, that point is past the edge, off the canvas and invisible. So zooming in is essential, and you get really good at counting pixels.
Once you have your edges, disguised, it is a matter of placement. Fussing and fidgeting. You save the pattern (define), open a new doc where you can see it as a full repeat, and zoom in to check your edges. You also zoom way out to see it smaller, and that is when you will start to notice a different set of mistakes. You might define your pattern 20 times or more on a complex design, before you get it all right. I work in Photoshop CS5, and I am sure this part is quicker in newer versions.
So, after quickly finishing the lemons, I came up with the brilliant idea you see below. (Brilliant Sheila, make more work for yourself! LOL) I have never done a pattern like this before. But there seem to be quite a few on Spoonflower, so I thought why not give it a try. Not as difficult as I had thought, just time-consuming because there are so many elements.
Pears pattern edges.
There are seven rows, of seven pears. SEVENTEEN sets of pears to be matched. I first lined up the top and bottom edges, and left and right. Lucky score on the sides, three pairs matched right off. Hands in the air! None of the top and bottom matched. As expected.
I learned, that I should have just started at the top, and worked my way down. I was working in reverse. Big mistake. Oh well, one thing I won’t forget soon.
When I reached the end, the top, the last layer covered up the edge. My previous matching was under new pears. Another lesson learned. One of the things I love about designing and Photoshop, always learning!! Click here to see the finished pattern. On that page you can click on the test swatch drop down to see it in “yard” view.
All designs for sale, were revamped, or copy was edited. The same is true for Designs not for sale, 41 of which are new additions from this week. I also have private designs that will be edited and posted later today. So blessed to have had the energy to focus on this much-needed project. I will explain more about that soon.
I usually take anywhere from a day, to three days to complete a design from scratch. That includes researching the theme, choosing a palette, creating the elements digitally or by hand. And finally, creating the pattern.
I am floored by how much I have managed to work through. But my new normal is, that this burst of energy will be followed by a need for rest. Another reason I am so focused on completing the work before I move on. As it is, when I finish list one tomorrow, I have an additional dozen items that I need to address. But I will take a week or two to get through those.
Whew! Hope that answered some of your questions. I appreciate your interest and support!