Category Archives: Painting Challenge

Day four Of Thirty

#4. 5 x 8 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

This is my 11th painting challenge with Leslie Saeta. I think I missed the first one. I didn’t have time to paint art until well after midnight. Simple will have to suffice.

Not sure if it shows, the difference between wet and dry. The petal on the left (below) is wet and the color is so juicy. It dried more muted. I need to go back in and build layers of color but I do like the variations, the light areas. I filled the wet petal with color, spread it around. Then while it was still wet, I loaded my brush again (lightly) and dropped in more color at the base and along the sides. I also added it to some areas in the middle of the petal.

Wet vs dry.

Three frames, and 1 corkboard. That is what I painted today. One of the projects on my list is to get art on the walls. I started a week ago. OK, maybe two weeks. And I have a feeling it will be the end of the week before I finish.

I’ve collected frames from antique shops, Goodwill and clearance racks. Most of them are in great condition but a few needed a touch-up. One frame was damaged, so I added more “damage” using the backend of a hammer and a flat-head screwdriver. A few coats of paint and it is good as new. The frame is black so you really can’t see the nicks until you are up close. And it was impossible to get a photo to show you.

Happy painting to Leslie’s crew! And happy day to everyone!

One, Two, Three

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#1 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

#2 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

#3 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

This botched bunny was the first number one.

Botched Bunny, 4 x 6 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

It’s possible I can save this. I used granulating medium on the background and planned on adding more layers there. The foreground area was very pretty before it dried. The colors faded more than usual. When these areas bombed I did not go back to finish the rabbit. I can see a second attempt in my head, ideas are percolating.

#WorldWatercolorMonth – #10And #The100DayProject – #99

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Mingus #99. 11.5 x 5.5 in. watercolor on Arches 140 lb. cold pressed paper. © 2018 Sheila Delgado.

Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer. That has been in my head all week. I don’t even like beer. Today is the day. Day #100. This afternoon will find me working on Mingus number one hundred.

Today’s sky was a wreck. I managed to save it. There was a cloud on the right. A stripe really. I had gone in and removed paint with a clean brush. It didn’t work.

I let the paint dry. Not completely, but almost. I re-wet the ugly area, and put paint back in, and worked it back and forth until there was a more even wash there. If you look just right of center, you can see a hint of white left. Along the right edge, some of the paint stained, but luckily, it gives the effect of distant clouds forming.

I didn’t mean to leave white along the bottom edge. I wet the paper before I added paint to that hill. I don’t think that works on a landscape this size. It is more dramatic on a portrait orientation. I AM happy though, with how the paint edge uneven. I know I brushed water on in a straight line, and that would not have worked at all.

There is some nice granulation going on. Along the dark edges of the drips, and in the dark along the bottom. I did not use the granulating medium, so that was a nice surprise. It is subtle, but the texture adds interest.

#10 WWM. 5.5 x 8 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

I watched a short video today, where the artist haphazardly added paint to his sky, leaving white areas for clouds. I often do that, but I plan the direction a little more. He made a lot of vertical stokes, and I use more horizontals. Well, on #10 I tried it his way. Not completely happy with it. I lost most of the hard edges, trying to make sense out of the negative, white, shapes.

I have also had a hard time getting the yellow to scan correctly. In the coneflowers, and in #9, it looks much lighter than it does in person. I warmed these (above) up by adding some Quin gold. Then some yellow ochre. I did not want to add orange, so I added a bit of magenta. Well, too many colors going on, they turned out a bit muddy. So lesson learned. Again. Ha ha ha ha.

Overall, happy with both. Happy with the practice. Happy with the chance to learn.