Category Archives: Collage

Celebrating Creativity: The 8th Year of The Creative Gathering

A global community of artists exploring new mediums while starting the year with
creativity, curiosity, and connection.

As we begin the 8th year of The Creative Gathering, we’re celebrating another inspiring season of creativity, dedication, and community. This month, our artists collectively created and shared 588 pieces of art. This is a wonderful reflection of the passion and commitment within our global creative family.

Throughout the gathering, artists worked in a wide range of mediums. These include pencil, pen, watercolor, gouache, inks, and oils. They also used photography, mixed media, nature art, colored pencil, assemblage, and journaling. Each piece reflects a unique voice and perspective, with artists of all experience levels sharing their creativity and vision.

What makes The Creative Gathering so special is that it’s truly international. Artists from around the world come together to share not only their work, but also encouragement, ideas, and support. Beyond the art itself, the gathering fosters camaraderie and connection, reminding us that creativity thrives in a supportive community.

Artists often spend long hours working alone, which makes these moments of connection especially meaningful. We share our work and cheer one another on. We witness each other’s creative journeys. By doing so, we build relationships that enrich and reward the creative process.

Each year, participants challenge themselves to try new mediums, experiment with unfamiliar tools, explore new techniques, and learn new approaches. The Creative Gathering isn’t just about making art—it’s about growing as artists and embracing curiosity and exploration.

The gathering is also a wonderful way to start the year on a positive note. By committing to create daily for one month and sharing that work publicly, artists celebrate both discipline and courage. While some complete the full month, we believe that even showing up for part of the month is worth celebrating. Every sketch, photo, journal page, or painting represents a moment of creativity and intention.




To everyone who participated this year—whether you created every day or joined in when you could—congratulations. Your creativity, dedication, and willingness to share help make The Creative Gathering such a special community.

We look ahead to gathering again in September to continue our shared creative journey. Together we’ll support one another, explore new ideas, and celebrate the joy of making art. Let’s see where our creativity takes us next.

Gouache: The Forgiving Paint You Didn’t Know You Needed

I’ll admit, I had a moment of pure panic when I started this gathering session.
What am I doing? 😆

Why would I try something completely new when I have a tight working window? I really struggled the first two weeks. I felt like I was failing horribly. And I was behind in posting. But we all have days like that, don’t we?

I look ahead to painting, practicing, and learning more about gouache. I know there will be more frustrations, but there will also be successful days. Below are some of the things I have learned.

The Pros of Gouache

1. You Can Re-Wet It

Like watercolor, gouache remains workable. If you finish a painting and later realize you want to make changes — you can. It’s very forgiving. Of course… this can also be considered a con. (More on that later.)


2. The Pigment Is Rich, Saturated & Easy To Mix

Gouache is incredibly pigmented and naturally opaque. While watercolor relies on transparency, gouache achieves lighter values by mixing with white instead of just adding water. This makes the colors vibrant, saturated, and velvety — and very easy to mix.

You can paint delicate watercolor-like washes or build thick, forgiving layers. You can even layer light colors over dark ones. Because white is part of the mixing process, it feels more intuitive.


3. It Dries Matte, Flat, And Fast

Graphic designers and illustrators are fond of gouache for these reasons. You can build layers quickly, and changes are easy to make. (That’s code for: mistakes can be fixed.) 😄

Another advantage? It reproduces beautifully without glare. Often with watercolor, I have to adjust the scan to get the colors true to life. I didn’t have to do that this month at all.


4. It’s Low-Maintenance, Portable & Doesn’t Require Fancy Supplies

Gouache is great for small studies, plein air, and travel. It lasts for years in sealed tubes, is lightweight and compact, and requires minimal equipment. And cleanup is a breeze.

Unlike watercolor — which really shines on high-quality paper — gouache is more flexible. You can use it on watercolor paper, mixed-media paper, Bristol board, illustration board, tinted paper, canvas, or even wood. It works best on heavy, slightly absorbent, smooth surfaces.

You can use inexpensive brushes or watercolor brushes. I’ve used both synthetic and watercolor brushes with good results. I’ve used high-quality white gouache with watercolors, but I have yet to try professional-grade gouache beyond that.

For student-grade paints, I did my research and found that both Arteza and Meeden are often recommended by artists. I can honestly say the Arteza paints are really nice to work with.


5. It’s Non-Toxic, Odorless & A Little Goes A Long Way

Because gouache is so pigmented, you don’t need much. Every day this month I ended up with leftover paint on my palette. If my paintings look cohesive, that’s probably why. I used tiny amounts and just kept mixing from the same puddles.


The Cons of Gouache

1. It Can Get Muddy Fast

Because gouache reactivates with water, you can accidentally lift the layer underneath while adding a new one. If you’re not careful, things can get muddy quickly.

The general rule is thick over thin — use less water as you build layers. I definitely need more practice with this. I tend to go thick too soon. (Maybe because I’m thick in the head.) 😄


2. The Value Shift Is Real

Always mix more paint than you think you’ll need.

Gouache changes slightly as it dries. Light colors dry darker. Dark colors dry lighter. You do not want to run out of your mixed color mid-painting. Even working small this month, I ran into that problem more than once. Usually because I kept layering.

I struggled with values because of this. I already have a hard time seeing values, and the drying shift didn’t help. I plan on spending more time making swatches and mixing colors. Hopefully, I will become more comfortable with this aspect of the paint.


3. It Dries… Too Fast

Yes, this is both a pro and a con. Are you seeing a trend?

Blending is easiest when the paint is fresh. If one area dries before you’re finished, blending into it can be difficult. You also need to let the paint dry before judging the final color.


There is still much more to learn. Now that I’m not under a daily deadline, I can concentrate more on technique. I can also work on water control, layering, and consistency.

I really enjoyed getting to know this medium. And while I was sincerely frustrated each day from my lack of knowledge, I enjoyed painting with gouache.

Here’s another look at some of the details from the paintings.

Details
Days 20 - 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.
Days 20 – 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.
Details Days 24 - 30
Pattern Details

It will be 2 or 3 days before I get the group gallery video posted.
It’s going to be awesome so you won’t want to miss it.

The February 2026 Creative Gathering, Days 20 Through 23.

Days 20 - 23 of the February 2026 Creative Gathering.  © 2026 Sheila Delgado.
Days 20 – 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.

Day 20. Prickly Pear. Gouache, 8 x 8 in. The prickly pear pads can be all shades of green, yellow green, gray, silver, sage. Just not usually all on the same plant. 😆

Day 21. Gouache & mixed media on Arches 140 lb. Cold Press Paper. 4 x 4 in. S.M. Delgado. My scanner is still blurring parts of the image. (The top image, left side.)
Don’t worry, it is not your eyes. 🤓
For this series, my main goal was to catch up, and get ahead. Six small pieces sounded like a plan. I chose a limited palette and started with large blocks of color. Dots and marks in a contrasting color were added next. In Photoshop I layered leaves, patterns and music for more interest.

Day 22. Gouache on Arches Cold Press Paper 140 lb. 4 x 4 in. Repetition as composition.

Day 23. Gouache on Arches Cold Press Paper 140 lb. 4 x 4 in. By this time, I was starting to question my color choices. It felt like something was missing. 🤔 What do you think?

I received suggestions in the gathering group, and in my next post you will see the results.
Stay tuned!

The February gathering is a 30-day event, despite the month not having 30 days. And the group gallery video is coming around the mountain! Our time to celebrate the fabulous art the members have brought to life!

See you soon!
Have an awesome weekend!