Tag Archives: #cacti

Gouache: The Forgiving Paint You Didn’t Know You Needed

I’ll admit, I had a moment of pure panic when I started this gathering session.
What am I doing? 😆

Why would I try something completely new when I have a tight working window? I really struggled the first two weeks. I felt like I was failing horribly. And I was behind in posting. But we all have days like that, don’t we?

I look ahead to painting, practicing, and learning more about gouache. I know there will be more frustrations, but there will also be successful days. Below are some of the things I have learned.

The Pros of Gouache

1. You Can Re-Wet It

Like watercolor, gouache remains workable. If you finish a painting and later realize you want to make changes — you can. It’s very forgiving. Of course… this can also be considered a con. (More on that later.)


2. The Pigment Is Rich, Saturated & Easy To Mix

Gouache is incredibly pigmented and naturally opaque. While watercolor relies on transparency, gouache achieves lighter values by mixing with white instead of just adding water. This makes the colors vibrant, saturated, and velvety — and very easy to mix.

You can paint delicate watercolor-like washes or build thick, forgiving layers. You can even layer light colors over dark ones. Because white is part of the mixing process, it feels more intuitive.


3. It Dries Matte, Flat, And Fast

Graphic designers and illustrators are fond of gouache for these reasons. You can build layers quickly, and changes are easy to make. (That’s code for: mistakes can be fixed.) 😄

Another advantage? It reproduces beautifully without glare. Often with watercolor, I have to adjust the scan to get the colors true to life. I didn’t have to do that this month at all.


4. It’s Low-Maintenance, Portable & Doesn’t Require Fancy Supplies

Gouache is great for small studies, plein air, and travel. It lasts for years in sealed tubes, is lightweight and compact, and requires minimal equipment. And cleanup is a breeze.

Unlike watercolor — which really shines on high-quality paper — gouache is more flexible. You can use it on watercolor paper, mixed-media paper, Bristol board, illustration board, tinted paper, canvas, or even wood. It works best on heavy, slightly absorbent, smooth surfaces.

You can use inexpensive brushes or watercolor brushes. I’ve used both synthetic and watercolor brushes with good results. I’ve used high-quality white gouache with watercolors, but I have yet to try professional-grade gouache beyond that.

For student-grade paints, I did my research and found that both Arteza and Meeden are often recommended by artists. I can honestly say the Arteza paints are really nice to work with.


5. It’s Non-Toxic, Odorless & A Little Goes A Long Way

Because gouache is so pigmented, you don’t need much. Every day this month I ended up with leftover paint on my palette. If my paintings look cohesive, that’s probably why. I used tiny amounts and just kept mixing from the same puddles.


The Cons of Gouache

1. It Can Get Muddy Fast

Because gouache reactivates with water, you can accidentally lift the layer underneath while adding a new one. If you’re not careful, things can get muddy quickly.

The general rule is thick over thin — use less water as you build layers. I definitely need more practice with this. I tend to go thick too soon. (Maybe because I’m thick in the head.) 😄


2. The Value Shift Is Real

Always mix more paint than you think you’ll need.

Gouache changes slightly as it dries. Light colors dry darker. Dark colors dry lighter. You do not want to run out of your mixed color mid-painting. Even working small this month, I ran into that problem more than once. Usually because I kept layering.

I struggled with values because of this. I already have a hard time seeing values, and the drying shift didn’t help. I plan on spending more time making swatches and mixing colors. Hopefully, I will become more comfortable with this aspect of the paint.


3. It Dries… Too Fast

Yes, this is both a pro and a con. Are you seeing a trend?

Blending is easiest when the paint is fresh. If one area dries before you’re finished, blending into it can be difficult. You also need to let the paint dry before judging the final color.


There is still much more to learn. Now that I’m not under a daily deadline, I can concentrate more on technique. I can also work on water control, layering, and consistency.

I really enjoyed getting to know this medium. And while I was sincerely frustrated each day from my lack of knowledge, I enjoyed painting with gouache.

Here’s another look at some of the details from the paintings.

Details
Days 20 - 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.
Days 20 – 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.
Details Days 24 - 30
Pattern Details

It will be 2 or 3 days before I get the group gallery video posted.
It’s going to be awesome so you won’t want to miss it.

Have Yourself A Merry Little Christmas



Wishing you laughter that echoes, peace that abides, and love that never fades.

I hope the magic of Christmas fills every corner of your heart and home with joy — now and always.

Merry Christmas & Blessed New Year!

Art On 45 & Catching Up

Art on 45, Desert Stargazers, 7 x 7 in., Acrylic, pen. © 2024 Sheila Delgado.
Art on 45, Desert Stargazers, 7 x 7 in., Acrylic, pen. © 2024 Sheila Delgado.

It’s time once again for the Art on 45 Auction and exhibition. Hosted and organized by Christiane Drieling. I am thrilled to say, my piece was accepted. This will be the final Art on 45 event.

I was thinking of my Dad, when I came up with the idea for this. I remembered all the road trips we would take. Late nights driving through the desert. How brilliant the sky seemed, and how open the landscape was. The 45 is debossed, and I did not want to cover that up. If you zoom in, you can see the Chrysalis butterfly logo, Leo Sayer, and more. It is completely legible in person.

I have had so much fun, as a contributing artist for the last several years. Congratulations to Christiane, Markus, and everyone who has made this event possible!

Catching Up

I don’t need to tell you, I was silent here, on the blog. For 4 months. Yikes! I was busy painting. I just wasn’t busy blogging. Below is a brief recap.

Naomi's Chicken, acrylics, pen. 12 x 12 in. © 2023 Sheila Delgado.
Naomi’s Chicken, acrylics, pen. 12 x 12 in. © 2023 Sheila Delgado.

In October was busy painting Christmas gifts, and this chicken. A birthday gift for a friend. She had found a picture that she liked, and asked me to paint one like it. I changed a few things. Made the weathered wood grey toned, to work with her interior. This is on a deep edged canvas, and the details continue around the edges.

Christmas gifts © 2023 Sheila Delgado.
Christmas gifts © 2023 Sheila Delgado.

I continued by finishing up some gifts I had started in 2021. These were for a friend’s grandbabies. I had started the bear, and completed the three florals (below), prior to having Covid.

I had to paint Coco melon ( the boy), and the lavender flowers. These are all on deep canvas.

Coco & the bear are 4 x 4, the florals are 6 x 6. The group of chickens is 6 x 6, watercolor. (A second birthday gift.)

The floral wreath is 4 x 4. A gift for my doctor’s new baby girl. For the wreath, I covered an ugly dollar store frame with plaster. I sanded it for a rustic look, sealed it, & it really turned out nice.

Textured paintings, 2021. © 2021 Sheila Delgado.
Textured paintings, 2021. © 2021 Sheila Delgado.

The Cactus you have seen. That was December’s project.

Sage I.D.E logo © 2023 Sheila Delgado.
Sage I.D.E logo © 2023 Sheila Delgado.

I designed a logo for a tech friend. IDE stands for Integrated Development Environment.

Building A Desert

I built a simple model train layout. A desert scene, of course. I intended to keep it fairly flat, so it could be stored away easily when needed. The tracks are not attached, merely resting on top.

I found a scenery sand, textured paint. But it was much too dark. Dark brown. I painted it, 8 or 9 times before I got the look I wanted. I added pebbles, rocks and boulders that had to be painted as well. The tiny pebbles along the outer edge forced me to use my magnifying glasses. But the task was surprisingly fast. I also found some miniature bushes. They are meant for an arctic scene, but they look just like sage brush to me.

Bachman N scale Thunder Valley electric freight train.
Bachman N scale Thunder Valley electric freight train.

This has been an ongoing project. A late birthday gift to myself (last year). I had fun working on it. Part of the reason for my studio make over (June 24, 2023). It is an N scale. Below you can see just how tiny that is. There are actually 4 sizes smaller than N. Only one is shown here. The most popular for models is O scale. The larger ones, G, you see in parks or zoos. Outdoor displays.

The engine lights up, and it is fun to run at night. Meditative. You might remember, I’ve had a slight fascination with trains for a while now.

If you are curious, this shows how they are made, (5 minutes). This is more in depth a factory tour, (16 minutes, more explanation). And this is a look at the real trains, and how they clear the snow off of Donner pass. You can skip forward to the 19:30 mark, and view to 23:00. The trees are so pretty.

I know, I’m a geek. (This is one of my tiny things, Dotty.)

That is the end. Whew! Thanks so much for stopping by!

Have an awesome weekend!

Wishing you JOY!