Week Three Of The February 2026 Creative Gathering

Lets take it from the top. These are all 5 x 7 in., on Meeden pure cotton Watercolor Paper, 140 lb. Day 13, A Peruvian Apple cactus. These can grow up to 30 feet tall in the wild. They are twisty, and the spines are along the edges. They are sometimes used as a living fence. They have pretty reddish “apples”, and night blooming flowers. For the spines, I created stars in Photoshop, giving me groups of multiple spines to place.

Day 14, Abstract, mixed media with paint pen, marker and Caran D ‘Ache neocolor. I worked on two pieces that day, but I hit a wall on each. I saw a video, “How to get unstuck”, and it suggested to just play. That’s what I did. Just doodles really. Doodles and done!

Day 15. Ladybugs. Ok, yes. I have been on Youtube a lot this month. Watching gouache artists, and taking in all the information I can. A title on Ladybugs caught my eye. That inspired me to paint them. To be honest, this small painting took two days. Near the end, I was just ready to have it done, I was a day behind again. For that reason, I omitted their legs. My story is, their legs are curled up underneath. I’m sticking to it. 😄

Day 16. Another mixed media abstract. I tried to be loose, but it just looks stiff and frankly, messy to me. I started a series of four. But honestly, they all might end up looking completely different. I should have gone bigger over all. I used a Canson spiral bound sketchbook, taped off for four pieces. I was inspired by Betty Franks. I have been for years. Her style is loose, playful and very organic. I will try again!

Day 17. Ranunculus. Just having fun here.

Day 18. I’ve been trying to get ahead all month. So I don’t have to stress when my day keeps me from painting. But somehow, I have consistently posted late at night, and often, a day behind. This is a faux plant in a favorite vase. The paper scanned a soft, parchment tone, which I really like. A nice surprise, the paper looks bright white on the pad.

Day 19, Floral. I learned a trick. (From one of those many videos.) You might already know. I think it is very cool. If you squeeze a paint tube just above the pointed ends, It draws the paint back into the tube. Less chance of wasting paint and gunking up the cap. How cool is that? I wish I had learned that years ago. 😄

I am enjoying gouache. More experience will equal more enjoyment. I still struggle with the water/paint ratio. I often think I have it right. Then when I apply the paint, it is not fully opaque. Which means I have it too thin.

And now it is time for more painting practice.

Thanks so much for visiting!
Have an awesome weekend friends!

Week Two Of The February 2026 Creative Gathering

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I’ve had a hard time keeping up this week. Whoosh! That’s the sound of the days flying by. I’m in a stellar group who are also posting late at night.

From the bottom: Day six was the WIP for day 7, the yellow Palo Verde tree. That is an 8 x 8 inches. Day 8. Saguaro in the sun, 8 x 8. I had fun with this one.

Day 9. Thumb Butte. Gouache on Meeden pure cotton Watercolor Paper 140 lb. 5 x 7 in.

Day 10, 5 x 7 in. Succulent Garden. Prickly Pear, Cholla (forks), Ric Rac, Agave. Gouache & mixed media. I created the spines digitally. The spines on the Cholla are actually small stars. The agave was made digitally and the sun is something I have used before. Here I added some smudging to soften the details.

Day 11. Mingus Mountain. Gouache, 5 x 7 in. It was a cloudy gray day. I added a little color. A gouache fact. Light colors dry darker, darks dry lighter. It will take time and practice to know better what the results will be. For example, the front range here is much darker than I intended.

Day 12. Pine Trees. Gouache, mixed media 5 x 7 in. I had limited time, but I managed to get this out earlier in the day. (Not at Midnight. LOL) 😂 I painted the blended background on the Meeden block. I then painted ten practice trees. They were all horrible. In the tutorial I watched, she used a filbert brush. I only have two really old, small filberts. My tree looks nothing like her perfect sample. I am surprised and pleased with how mine turned out. The slightly separating brush, gave me tiny details that mimic pine needles. Fun! (Visit my Instagram profile to see better.)

I painted one tree, on a blank paper. I didn’t want to ruin the background. And I was trying to save time. In Photoshop I duplicated the tree, and flipped it horizontally. I then erased select areas to create a different silhouette.

I ordered a new palette. The long one. It fits my space perfectly. I thought I wouldn’t need the others as much. But I use them all. 😆 I continue to be amazed at how far the paint goes. If there is a unified look to the pieces, it is from using the leftovers.

Thanks so much for clicking, reading and viewing my gouache practice!
So nice to have your company!
Happy, awesome weekend to you!

Days 1 – 5 of The Creative Gathering, February 2026

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My 30 day gouache adventure is underway!

Shown in reverse order.
Day 1, Ball Cactus.
Gouache on Arches paper. 4 x 4 in. S.M. Delgado.

There is no doubt this is going to be a month of learning for me. Gouache can be used like watercolor, but it is very different. It is opaque. You can layer light over dark. You can blend. And if you goof, you can paint over it. I apologize for the blur.

Day 2, Prickly Pear Cactus.
Gouache on Meeden 140 Lb. hot press paper. 5 x 7 in. S.M. Delgado.

The reference photo showed the tuna’s as very pale pink. I didn’t quite capture the light in them. And my blending there is very uneven. I’m trying to convince myself it gives them a rough & rustic look. 😄 The spines were very few and mostly around the edges. I can see why this medium is favored for illustration work. I added the outlining and the spines digitally.

Day 3, Saguaro Cactus. Gouache on Meeden 140 Lb. hot press paper.
3.5 x 5 in. S.M. Delgado
I had several busy days in a row, so I went small and simple.

Day 4, Cloud. Gouache on Meeden 140 Lb. hot press paper.
3.5 x 5 in. S.M.Delgado.

I had a bottom layer of “light” in the foreground. And I added texture as well. But it didn’t work, and as I tried to rework it, I lost most of that. I really was focused on the cloud process. I kept working that to blend and soften. I’m not sure it is effective. To me it looks hard instead of soft. But the learning counts.

Day 5, Same Cloud. Gouache on Meeden 140 Lb. hot press paper.
3.5 x 5 in. S.M.Delgado.

You’re right. You are seeing double. LOL. I added a tree line, and some light on the mountains. It was a long day, that’s about all I had time for. I did get some ideas for my next piece. I’m looking ahead to tomorrow. After a long winter’s nap.

Thanks so much for taking the time to look at the first five days!