Category Archives: Clouds

Gouache: The Forgiving Paint You Didn’t Know You Needed

I’ll admit, I had a moment of pure panic when I started this gathering session.
What am I doing? 😆

Why would I try something completely new when I have a tight working window? I really struggled the first two weeks. I felt like I was failing horribly. And I was behind in posting. But we all have days like that, don’t we?

I look ahead to painting, practicing, and learning more about gouache. I know there will be more frustrations, but there will also be successful days. Below are some of the things I have learned.

The Pros of Gouache

1. You Can Re-Wet It

Like watercolor, gouache remains workable. If you finish a painting and later realize you want to make changes — you can. It’s very forgiving. Of course… this can also be considered a con. (More on that later.)


2. The Pigment Is Rich, Saturated & Easy To Mix

Gouache is incredibly pigmented and naturally opaque. While watercolor relies on transparency, gouache achieves lighter values by mixing with white instead of just adding water. This makes the colors vibrant, saturated, and velvety — and very easy to mix.

You can paint delicate watercolor-like washes or build thick, forgiving layers. You can even layer light colors over dark ones. Because white is part of the mixing process, it feels more intuitive.


3. It Dries Matte, Flat, And Fast

Graphic designers and illustrators are fond of gouache for these reasons. You can build layers quickly, and changes are easy to make. (That’s code for: mistakes can be fixed.) 😄

Another advantage? It reproduces beautifully without glare. Often with watercolor, I have to adjust the scan to get the colors true to life. I didn’t have to do that this month at all.


4. It’s Low-Maintenance, Portable & Doesn’t Require Fancy Supplies

Gouache is great for small studies, plein air, and travel. It lasts for years in sealed tubes, is lightweight and compact, and requires minimal equipment. And cleanup is a breeze.

Unlike watercolor — which really shines on high-quality paper — gouache is more flexible. You can use it on watercolor paper, mixed-media paper, Bristol board, illustration board, tinted paper, canvas, or even wood. It works best on heavy, slightly absorbent, smooth surfaces.

You can use inexpensive brushes or watercolor brushes. I’ve used both synthetic and watercolor brushes with good results. I’ve used high-quality white gouache with watercolors, but I have yet to try professional-grade gouache beyond that.

For student-grade paints, I did my research and found that both Arteza and Meeden are often recommended by artists. I can honestly say the Arteza paints are really nice to work with.


5. It’s Non-Toxic, Odorless & A Little Goes A Long Way

Because gouache is so pigmented, you don’t need much. Every day this month I ended up with leftover paint on my palette. If my paintings look cohesive, that’s probably why. I used tiny amounts and just kept mixing from the same puddles.


The Cons of Gouache

1. It Can Get Muddy Fast

Because gouache reactivates with water, you can accidentally lift the layer underneath while adding a new one. If you’re not careful, things can get muddy quickly.

The general rule is thick over thin — use less water as you build layers. I definitely need more practice with this. I tend to go thick too soon. (Maybe because I’m thick in the head.) 😄


2. The Value Shift Is Real

Always mix more paint than you think you’ll need.

Gouache changes slightly as it dries. Light colors dry darker. Dark colors dry lighter. You do not want to run out of your mixed color mid-painting. Even working small this month, I ran into that problem more than once. Usually because I kept layering.

I struggled with values because of this. I already have a hard time seeing values, and the drying shift didn’t help. I plan on spending more time making swatches and mixing colors. Hopefully, I will become more comfortable with this aspect of the paint.


3. It Dries… Too Fast

Yes, this is both a pro and a con. Are you seeing a trend?

Blending is easiest when the paint is fresh. If one area dries before you’re finished, blending into it can be difficult. You also need to let the paint dry before judging the final color.


There is still much more to learn. Now that I’m not under a daily deadline, I can concentrate more on technique. I can also work on water control, layering, and consistency.

I really enjoyed getting to know this medium. And while I was sincerely frustrated each day from my lack of knowledge, I enjoyed painting with gouache.

Here’s another look at some of the details from the paintings.

Details
Days 20 - 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.
Days 20 – 23 of the February 2026 Creative Gathering. © 2026 Sheila Delgado.
Details Days 24 - 30
Pattern Details

It will be 2 or 3 days before I get the group gallery video posted.
It’s going to be awesome so you won’t want to miss it.

Week Two Of The February 2026 Creative Gathering

I’ve had a hard time keeping up this week. Whoosh! That’s the sound of the days flying by. I’m in a stellar group who are also posting late at night.

From the bottom: Day six was the WIP for day 7, the yellow Palo Verde tree. That is an 8 x 8 inches. Day 8. Saguaro in the sun, 8 x 8. I had fun with this one.

Day 9. Thumb Butte. Gouache on Meeden pure cotton Watercolor Paper 140 lb. 5 x 7 in.

Day 10, 5 x 7 in. Succulent Garden. Prickly Pear, Cholla (forks), Ric Rac, Agave. Gouache & mixed media. I created the spines digitally. The spines on the Cholla are actually small stars. The agave was made digitally and the sun is something I have used before. Here I added some smudging to soften the details.

Day 11. Mingus Mountain. Gouache, 5 x 7 in. It was a cloudy gray day. I added a little color. A gouache fact. Light colors dry darker, darks dry lighter. It will take time and practice to know better what the results will be. For example, the front range here is much darker than I intended.

Day 12. Pine Trees. Gouache, mixed media 5 x 7 in. I had limited time, but I managed to get this out earlier in the day. (Not at Midnight. LOL) 😂 I painted the blended background on the Meeden block. I then painted ten practice trees. They were all horrible. In the tutorial I watched, she used a filbert brush. I only have two really old, small filberts. My tree looks nothing like her perfect sample. I am surprised and pleased with how mine turned out. The slightly separating brush, gave me tiny details that mimic pine needles. Fun! (Visit my Instagram profile to see better.)

I painted one tree, on a blank paper. I didn’t want to ruin the background. And I was trying to save time. In Photoshop I duplicated the tree, and flipped it horizontally. I then erased select areas to create a different silhouette.

Messy gouache palettes.

I ordered a new palette. The long one. It fits my space perfectly. I thought I wouldn’t need the others as much. But I use them all. 😆 I continue to be amazed at how far the paint goes. If there is a unified look to the pieces, it is from using the leftovers.

Thanks so much for clicking, reading and viewing my gouache practice!
So nice to have your company!
Happy, awesome weekend to you!

Days 1 – 5 of The Creative Gathering, February 2026

Shown in reverse order.
Day 1, Ball Cactus.
Gouache on Arches paper. 4 x 4 in. S.M. Delgado.

There is no doubt this is going to be a month of learning for me. Gouache can be used like watercolor, but it is very different. It is opaque. You can layer light over dark. You can blend. And if you goof, you can paint over it. I apologize for the blur.

Day 2, Prickly Pear Cactus.
Gouache on Meeden 140 Lb. hot press paper. 5 x 7 in. S.M. Delgado.

The reference photo showed the tuna’s as very pale pink. I didn’t quite capture the light in them. And my blending there is very uneven. I’m trying to convince myself it gives them a rough & rustic look. 😄 The spines were very few and mostly around the edges. I can see why this medium is favored for illustration work. I added the outlining and the spines digitally.

Day 3, Saguaro Cactus. Gouache on Meeden 140 Lb. hot press paper.
3.5 x 5 in. S.M. Delgado
I had several busy days in a row, so I went small and simple.

Day 4, Cloud. Gouache on Meeden 140 Lb. hot press paper.
3.5 x 5 in. S.M.Delgado.

I had a bottom layer of “light” in the foreground. And I added texture as well. But it didn’t work, and as I tried to rework it, I lost most of that. I really was focused on the cloud process. I kept working that to blend and soften. I’m not sure it is effective. To me it looks hard instead of soft. But the learning counts.

Day 5, Same Cloud. Gouache on Meeden 140 Lb. hot press paper.
3.5 x 5 in. S.M.Delgado.

You’re right. You are seeing double. LOL. I added a tree line, and some light on the mountains. It was a long day, that’s about all I had time for. I did get some ideas for my next piece. I’m looking ahead to tomorrow. After a long winter’s nap.

Thanks so much for taking the time to look at the first five days!

Happy Weekend to you!