Tag Archives: #azartist

New Work And Old Postcards

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4 x 6 in. watercolor & pen on Bee Paper. 140 lb. cold pressed paper. © 2018 Sheila Delgado.

4 x 6 in. watercolor & pen on Bee Paper. 140 lb. cold pressed paper. © 2018 Sheila Delgado.

This is really a pretty little painting. But the scan made everything neon. And this photo makes everything dark and dreary. I suppose that is fitting for Halloween.

I was craving some time with my brush, so I painted the little blue vase, and I started a larger piece. I made marks with an Inktense pencil. Felt better after, calm, so it was time well spent. A welcome break from tech chores.

 

Marks or Madness?

 

Came across these, thought you might have a laugh.
I never knew Halloween was a big for dating.

 

 

 

I think I’ll stick with candy. You can see more cards here.

 

 

 

 

 

 

 

 

 

This And That

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Glassford Hill Prescott Valley, AZ. SMD 2018

Glassford Hill Prescott Valley, AZ. SMD 2018

I love this view of the hill. The city is nearly invisible. But it is right there, all around Glassford. The history of this hill is interesting. It is an extinct volcano. There is a cave, a lava vent, at the top. In the video. when he zooms in, Mingus is on the right.

The hill is named for Col. William Glassford. In the 1880’s he helped form an advanced system of heliograph stations to monitor the movements of Apache Indians, U.S. military and civilians. Seven men including one cook were stationed on Glassford Hill.

 

Where Women Create, reading material.

Where Women Create, reading material.

I ordered these back issues over a month ago. The information did state that it would take up to four weeks for delivery. Stampington and Company is selling back issues at clearance prices. I was anxiously awaiting their arrival. I have already started reading three others, conveniently located next to my reading chair.

 

I’ve gone and done it again. I signed up. Christiane Drieling invited me to take part in her Art On 45 event. It will be my first juried event. Selected works will be auctioned to raise money for NCLAC (North Central Louisiana Art Council). To aid in their commitment to establish a valuable art program at the local Boys And Girls Club.

THe deadline is January 4th. Plenty of time. Ha ha ha. Anything goes. I have a few ideas already.

 

This weekend for me is about tech chores. Updating my shops and dealing with some website issues as well. Checking things off of my to-do list. I finally finished organizing my Pinterest boards. I started it last September. Yup, during the 30 day challenge. The boards I use as inspiration were a wreck. Now I can easily find what I am looking for. I know, I know. I am organizationally obsessive. Ha ha.

 

Color, texture and line. Mingus sunset . SMD 2018

Color, texture and line. Mingus sunset . SMD 2018

One last view for you. This from a few nights ago. Gotta paint this sometime.

Enjoy your weekend!

 

 

 

 

 

 

 

Bee Paper Bouquet

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Bouquet In Blue. 6 x 9 in. watercolor & pen on Bee Paper. 140 lb. cold pressed paper. © 2018 Sheila Delgado.

Bouquet In Blue. 6 x 9 in. watercolor & pen on Bee Paper. 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

I learned first hand, one of the qualities of this paper. Then found a YouTube video that demonstrated the same trait. Bee paper grabs the paint.

I’m not sure if I have used this paper before. I have a pack that I could swear was marked clearance. I thought because they were going to stop carrying it. But I found it is still for sale on the Michaels website. This paper is an odd size, 6 x 9 inches.  It is:

 

  • 140lb/300gsm
  • 25 sheets
  • 100% cotton
  • Acid free and archival
  • Cold press surface
  • Internally and externally sized

 

So it grabs the paint. What does that mean? Once you lay the color down, you can’t move it. On a high quality paper, you can go back into an area with water to soften edges, or move the pigment. I did this intentionally, but for example, the bottom right and top left of the table have hard edges. As opposed to smooth blends.

Having said that, I found this paper allowed me to blend smoothly. More so than I would usually want. You can see this throughout the piece. The  background is two colors, and it is very hard to see where one begins and the other ends. I was working very quickly, and I am sure that helped.

The area where I discovered the difficulty was in the flowers. The front facing blooms. I added Burnt Sienna over the Cad. Yellow to mimic a two-toned petal. I wanted the second color to soften and spread along the entire length of the petal. Instead I ended up with a petal that was half yellow and half sienna. Chunky Monkey.

I was so intent on smoothing the petals, I forgot to scan the “before”. It took several attempts. And though I did manage to get a few smooth transitions, it is clearly visible that those blooms are darker. The side view buds are clean Cad. Yellow.

There is a texture to this paper. This video shows you better than I can explain.  The grain did not show up in my painting or the scan. Very surprising that the paint did not settle and highlight it. I opened the scan up at 300 ppi  in Photoshop, and still could not see it.

I was in a hurry to paint and I did not tape down the paper. I worked very wet and the paper only curled a bit on the top and bottom edges. Not bad at all. Terrific actually!

I found that I really enjoyed this size. It’s  not too big, and not too small. It’s juuusst right.  Ha ha. I was very comfortable with it. Blah, blah,blah. That is my long-winded way of saying I am surprising pleased with this paper! I am very happy with this piece.

Bee Paper sells a variety of products including journals. mixed media and pastel paper. I’d really like to try one of their journals.

Enjoy!