Category Archives: Gouache

Postcard Preference

Time for me to decide which postcard I will send to the Visual Aids 17th ANNUAL POSTCARDS FROM THE EDGE exhibition.  I need your help, because I have six favorites and I can only send one card.

I just finished these two. They may seem totally unrelated. I have wanted to paint a tree in our neighbors back yard. It just glows all day long. It is taller than the rest of the trees, and it even seems to glow when the sky is grey and the sun is hidden.

Fall. 4 x 6 Mixed media postcard. © 2014 Sheila Delgado

Fall. 4 x 6 Mixed media postcard. © 2014 Sheila Delgado

I spoke with a friend in Montana the same day I painted this tree. It was snowing sideways, the winds were so strong. I started this next one as an abstract, trying to use some leftover paint. Obviously blustery was on my mind.

Winter. 4 x 6 Mixed media postcard. © 2014 Sheila Delgado

Winter. 4 x 6 Mixed media postcard. © 2014 Sheila Delgado

I actually think I like it better upside down. What do you think? I can see a hint of tall mountains, maybe a lake in the distance.

Winter. (Upside Down) 4 x 6 Mixed media postcard. © 2014 Sheila Delgado

Winter. (Upside Down) 4 x 6 Mixed media postcard. © 2014 Sheila Delgado

Here they all are together. No particular order.

Postcards  2014 © Sheila Delgado

Postcards 2014 © Sheila Delgado

If you have time, let me know in the comments which you like best.

There is so much for me to be thankful for. I hope for you as well. I know I am thankful for all of you who follow my blog, and who take the time to comment. Your participation is a true blessing!

Happy Thanksgiving!

God Bless!

 

 

Jingle Jangle

Jingle. 4 x 6 Postcard. Mixed media on 140 lb. Arches cold pressed paper. © 2014 Sheila Delgado

Jingle. 4 x 6 Postcard. Mixed media on 140 lb. Arches cold pressed paper. © 2014 Sheila Delgado

This postcard is a save. I started with burnt umber gouache and plastic wrap. The color dried to a yucky, blech brown, and I had no idea what I could do to make it better. I got the idea of barnacles, and used negative painting to bring out the shapes. Still blech. The tube of red acrylic was sitting in front of me… BAM.

embossing tools

embossing tools

I added green, blue, yellow. I used brushes, and embossing tools. The embossing tools make great, uniform shapes. The yellow dots on white were too close in value, so I added a black outline to get them to pop. I also outlined the card in black because I know it will be shown on a white wall

Copper acrylic highlights.

Copper acrylic highlights.

Finally I added copper dots to catch the light. The white dots are glossy acrylic. A mistake really, I picked up the wrong bottle, but I like the shine. I think this card would look great in the  Visual Aids 17th ANNUAL POSTCARDS FROM THE EDGE.

 

It’s beginning to look a lot like ChRiStMaS.

 

 

Postcards

Sitting in on an online pattern design class, and working on postcards. Not really a good idea, I have to admit. Several have turned out rather blah. I may be able to save them as backgrounds, if not I can start over with a layer of acrylic.

This is eye-popping. A contender for submission. I don’t work with red much, but the tube jumped out of the caddy and into my hand. This is actually a “save”. There is a bit of texture under the red, barely shows here, but it really adds depth in the original. Grab your shades before scrolling down, this one is really bright.

Red.  Abstract Acrylics on 140 lb Arches cold pressed paper. © 2014 Sheila Delgado

Red. Acrylics, pen on 140 lb. Arches cold pressed paper. © 2014 Sheila Delgado

Oops! Forgot to mention that the “brown” is actually copper, and it adds a bit of shine throughout. It’s a shame it never translates well in the scanning process. When I scanned this one in, well let me just show you…

Red.  Abstract Acrylics on 140 lb Arches cold pressed paper. © 2014 Sheila Delgado

Red, scanned image.

The colors were horrible. Most often when I scan images in,  an adjustment to the vibrance will make the scan look like the original piece of art. With this, I had to use the curves adjustment as well as the color balance. I am sure it is due to the intensity of these hues. I just played with the different adjustment options in Photoshop until I found the best representation. (Image – Adjustments)

Patches. Gouache on 140 lb. Arches cold pressed paper. © 2014 Sheila Delgado

Patches. Gouache on 140 lb. Arches cold pressed paper. © 2014 Sheila Delgado

For any artist who is new to Photoshop, you should feel free to play with these options. You can try them on your image, and if you don’t like the change, you can just “cancel” out of the pop up box. You do need to rasterize your image before these options will be available to you.

One more card that is ready. I may use it as a background for some collage. I can add pattern as well.

There is still time for artists to submit postcards. You can find all the information here,  Visual Aids 17th ANNUAL POSTCARDS FROM THE EDGE.

Happy day ya’ll!