Category Archives: Pen

30 In 30, Day 12

Watercolor, pen, on Arches 140 lb. cold pressed paper. © Sheila Delgado 2013

Watercolor, pen, on Arches 140 lb. cold pressed paper. © Sheila Delgado 2013

Saved this after all. I added the pen detail, just a bit. And I really think it helped. it could be a lot better, but it won’t end up in the trash.  I need to add a bit of sky, get rid of the white. I am thinking of adding a peek of a reader behind the trunk. A bit of shoe or shoulder.  What do you think?

Have a super day everyone! Thanks so much for stopping by!

For more great art, (not saying this is great, just that there is a ton of good stuff to be seen) visit Leslie’s site.

30 in 30, Day Two

Today was a struggle. I started a 9 x 12 portrait. One that I have been wanting to do for a while now. Right now it is in the ugly-time-to-trash it phase. I was trying to paint large and loose. Well, after five hours, I can no longer hope for loose. The thing is, the face is looking pretty good, just the rest of it is muck. So maybe I can save it tomorrow, and crop it way down, and have the gift for a friend I was trying for.

I am reminding myself, that watercolor is a difficult medium. I know what I am doing wrong… but It is not helping me to get it right. It is 8:24. I need to post my piece here to be able to post it on Leslie’s site as well. Done is better than perfect. Sometimes. Right?

I am not happy with this either. I toiled diligently, so it is going to have to do. So happy for all of my friends who are participating! Your work today is so awesome!

Acrylic, watercolor and pen 3 1/2 x 4

Acrylic, watercolor and pen 3 1/2 x 4

 

 

 

 

Making Marks with Pauline Agnew

Mixed media on acid free paper.

Mixed media on acid free paper.

This weekend I participated in Pauline’s OPENSTUDIO taster class. A sample of her “Draw and Paint what you Love” course. The event took place both on her website seedbedstudio, and on Facebook over  two days. Pauline provided fantastic videos, both for instruction and for inspiration.

Pauline Agnew is an artist with a Degree in Fine Art, a Masters in Multimedia, and lots of experience in teaching art from Primary to University levels. Her work has been seen in public and private galleries, and she had an artists residency in The Irish Museum of Modern Art and was chosen as an artist in residence also for Cork City’s year as European capital of culture in 2005.

 Seeds of Inspiration

Watercolor portrait in blue

Quick sketch

I found this class by accident, and I am so glad I did! I was visiting Lucy Chen’s website late at night, watching her self-portrait video. Thank You Lucy! Lucy works in oils, and she has only been an artist since 2011. Before that she worked in finance! Her work is really amazing and I hope you will take a look! I was so inspired to start this class, I had to wet my brush and spread some paint before going to bed. So I did this quick sketch. Horrible I admit. But I felt better having moved some color around. 

Acrylic painting in progress

First layers

 

The next two days, I painted. Making marks as Pauline suggested.  I painted with a twig, swizzle stick, a couple of nail heads, a toothbrush, foam rubber, and a few brushes. I used acrylics, Inktense watercolor pencils, and pens.

Ideas Germinate

Not only is Pauline a wonderful instructor, but she was also immensely supportive of our efforts. The conversations and feedback from the other participants was such a blessing to take part in!  When I started, I had no intentions of painting a particular, anything. I was not thinking about a finished landscape, or portrait. For a while in the middle of the process, I was pretty sure I was not going to have a piece worth showing. But I kept on. Added more bits here and there. When I flipped the paper around to see if I had something to build on, I saw a neck, and a bit of a head wrap. 

I really am so pleased with this. It was a surprise. I think that is why I like it so much, I wasn’t trying to paint her. I was just painting. I spoke with a couple of the artists in class, and they suggest that I leave her faceless. I can almost see her features, but they have not quite revealed themselves to me. So for now, this is how she will stay.  Let me know what you think!

I feel this is one of the best paintings I have ever done. I am so thankful I found this introduction. Thank You Pauline for an enlightening weekend!

Mixed media on acid free paper.

Mixed media on acid free paper. 9 x 12