Tag Archives: #worldwatercolormonth

World Watercolor Month Wrap-Up

World Watercolor Month July 2021 © 2021 Sheila Delgado.

My July watercolor diary. I placed my favorites in the middle. I am honestly pleased with just about every piece. There are two I’d call do overs. The florals at the bottom. I was trying to paint like someone else. A new method. Lesson learned. Haha.

I painted 8 others. Two of which are complete duds. I thought they could be fixed. But no, they fought me to the end. The rest are abstract landscapes and they might make an appearance in the future. I attempted another coneflower for a grand finale. Haha. Instead, some quiet, spindly little wildflowers. But I am exceedingly happy with the vase. Haha. Silver lining.

Thanks everyone, for following along. It is always a JOY to hear from you. Thank you!

Day 31, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 31, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 30, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 30, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 29, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 29, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

Drop by drop is the water pot filled.
Buddha

Day 28, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 28, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 27, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 27, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 26, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 26, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

Painting is just another way of keeping a diary.
Pablo Picasso

First forget inspiration.
Habit is more dependable.
Habit will sustain you
whether you’re inspired or not.
Octavia Butler

World Watercolor Month, Days 10 – 17

Day 13, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 13, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

I am having so much fun with these. I hope you find this dainty display delightful.

Enjoy!

Day 10, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 10, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 11, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 11, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

Even the tiniest of flowers can have the toughest roots.
– Shannon Mullen

Day 12, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 12, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 14, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 14, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 15, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 15, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

I must have flowers, always and always.
– Claude Monet.

Day 16, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 16, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 17, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 17, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

A painting is not a picture of an experience,
but is the experience.
― Mark Rothko

World Watercolor Month, Days 5 Through 9.

Day 5, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 5, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

These tiny 2 x 2’s are fun to paint. A nice change. I think my favorite size hovers around 8 x 8 inches. Or 10 x 10. This weekend I will be continuing work on the bear. And I have started two other canvas pieces. One is 4 x 4, and the other is 12 x 12 I think.

The skyscape below was inspired by a real sunset. When I stepped away to get my phone, the light changed, and I missed getting the shot. The clouds were all shades of pink and orange, The sky was blue and lavender grey. Storm clouds moving through.

Day 6, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 6, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 7, WWM, Ranunculus, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 7, WWM, Ranunculus, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 8, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 8, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 9, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.
Day 9, WWM, 2 x 2 inch watercolor on Arches 140 lb. cold pressed paper. © 2021 Sheila Delgado.

I first learned about the color Green Gold from Angela Fehr. She is one of the artist ambassadors for World Watercolor Month. Laurie Mueller uses it often in her work also. Or maybe it is her own blend, but it has the same jaw-dropping effect. Diluted, it is almost blindingly neon. But you can get a deeper, rich hue as well. It’s a favorite in my palette.

I am sharing two revisions with you. The scans came out too dark, and I was not happy with the “black” band at the bottom. I was behind, so I went ahead and posted them. In reality, The indigo was softer, and blended to a rich, dark green. The color bled into the wet areas above, and there are some soft “finger” like details. But I needed to blend the dark with the rest of the foreground.

I added a few more blades of grass, and I think they work much better now. What do you think? The revised scans are true to life, not as vivid as the first scans. The setting wasn’t right. I like them better now. To me, I think the green gold stands out more. The oranges are not overpowering. Do you like the first version better?

Stay firmly in your path and dare.
Be wild two hours a day!
Paul Gauguin

When art critics get together they talk about
Form and Structure and Meaning.
When artists get together
they talk about where you can buy cheap turpentine.
Pablo Picasso